It earned Lamar four Grammy Award nominations at the 2014 Grammy Awards, including Album of the Year. The album received widespread acclaim from critics, who praised its thematic scope and Lamar's lyrics. Billed as a 'short film by Kendrick Lamar' on the album cover, the concept album follows the story of Lamar's teenage experiences in the drug-infested streets and gang lifestyle of his native Compton. Dre, Just Blaze, Pharrell Williams, Hit-Boy, Scoop DeVille, Jack Splash, and T-Minus, among others, contributing to the album.
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Good Kid, M.A.A.D City was recorded mostly at several studios in California, with producers such as Dr. The album is Lamar's major label debut, after his independently released first album Section.80 in 2011 and his signing to Aftermath and Interscope the following year. It was released on October 22, 2012, by Aftermath Entertainment, Interscope Records, and Top Dawg Entertainment. Good Kid, M.A.A.D City (stylized as good kid, m.A.A.d city) is the second studio album by American rapper Kendrick Lamar. At My Mama's Studio (Los Angeles, California).Beside his solo career he is also member of the hip hop group called “Black Hippy”.
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Good kid maad city free download mp3 Kendrick Lamar Duckworth, but in music industry he is called simply Kendrick Lamar, is an American hip hop artist from California.
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City is as intricate, strange and thoroughly addictive an album as anyone could have hoped to hear from Kendrick Lamar.Find release reviews and credits for Good Kid, M.A.A.D City - Kendrick Lamar on AllMusic - 2012 - Hip-hop debuts don't come much more 'highly. Lamar even makes his seemingly heavy-handed 12-minute “Sing About Me, I’m Dying of Thirst” work, given its starting casualness - the gunshots that cut him off from finishing his “if I die before your album drop” line are so matter-of-fact and quick, they ring louder and truer than a hundred other hip-hop tracks utilizing the overused gun shot effect. City continues developing its addictive world of sound, moving into the affecting, detailed account of troubled youth, “The Art of Peer Pressure,” rapping over a Janet Jackson sample with Drake on “Poetic Justice” and taking a dip into the narcotic haze of “Swimming Pools,” evoking the weary, head-spinning world of partying night after night. Its first two tracks set the stage introducing Lamar as a kid from Compton as devoted to religion as he is to girls - “I am a sinner who’s probably gonna sin again,” he says on “Bitch, Don’t Kill My Vibe.” That’s before tearing into “Backseat Freestyle,” a blistering, Lil’ Wayne-style track with production from Hit-Boy, known for his work on such tracks as Jay-Z and Kanye West’s “Ni**as in Paris.” From there, Good Kid M.A.A.D. City is how relaxed and assured it sounds. Given that pressure, the most remarkable thing about Good Kid M.A.A.D. Dre, before releasing this, his major-label debut.
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City is the sound of extraordinary promise achieved, as Kendrick Lamar, who rapped as an independent artist for years, releasing his acclaimed Section.80 mixtape last year and working with the likes of Drake and Dr.